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1968 · Rock psicodélico · Acid rock · Psicodelia hipnótica · Full Album

The Oracle Has No Mouth

Una señal inexplicable se filtra bajo la realidad cotidiana. Siete piezas de psicodelia hipnótica atraviesan cristal, habitaciones imposibles, tiempo desplazado y cuerpos transparentes antes de que hable un oráculo sin boca.


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Sobre este álbumLista de cancionesPaleta sonoraNotas de archivoLetrasRecomendado si te gustaLanzamientos relacionados

Sobre este álbum

The Oracle Has No Mouth es un álbum conceptual al estilo de 1968 sobre una transmisión inexplicable bajo la realidad cotidiana. Su origen no se define como tecnológico, sobrenatural, extraterrestre ni psicológico. Lo esencial es la conciencia creciente de una capa oculta donde el espacio, el tiempo, la percepción, las personas y las máquinas dejan de comportarse con normalidad.

«The Signal Goes On» presenta una presencia anterior a quienes la escuchan. «Through the Glass Machine» cruza hacia la capa oculta; «The Room Without Corners» elimina la geometría normal y «Seven Seconds Behind» saca al sonido y al movimiento de su tiempo. «The Engine Sleeps Upright» insinúa un mecanismo bajo los acontecimientos sin explicarlo.

«Everyone Became Transparent» vuelve la alteración hacia dentro: calles, habitaciones, recuerdos y palabras no dichas se hacen visibles dentro de los cuerpos. La canción titular reúne los motivos en un ritual enigmático de siete ventanas, siete puertas, espejos, pasos e identidad recordada. Su mensaje final no resuelve nada.

Año de archivo1968
Publicado
IdiomaInglés

Lista de canciones

Total runtime: 38:19

Paleta sonora

Figuras circulares de bajo, guitarras fuzz y trémolo, brillo de doce cuerdas, texturas frotadas, órganos Hammond y Farfisa, armonio, piano eléctrico, vibráfono, osciladores primitivos y percusión suelta de finales de los sesenta crean una secuencia hipnótica y deliberadamente variada.

Saturación, reverberación de muelles, eco de cinta, phasing, guitarra invertida, feedback, movimiento estéreo y velocidad inestable mantienen el disco crudo y humano. Los mantras escasos se abren poco a poco al canto melódico, las voces superpuestas y la profunda dicción profética del oráculo.

Notas de archivo

El disco empieza con la repetición como consuelo y termina con la repetición como profecía. Las señales continúan sin respuesta; las puertas no llevan a ninguna parte; hay habitaciones dentro de los rostros y máquinas que operan sin movimiento visible. Cada canción vuelve el mundo familiar algo menos fiable.

La ambigüedad es deliberada. La identidad del oráculo, la naturaleza de la señal y el significado de ser «recordado» quedan abiertos. Ningún lugar, máquina, diagnóstico o explicación sobrenatural cierra el circuito.

Letras

Las siete canciones conservan sus letras originales en inglés. Varias contienen largos pasajes instrumentales; no se han añadido etiquetas de estrofa, estribillo, producción o interpretación.

There is a signal
Under the sound

There is a signal
Going around

I hear it turning
I hear it turn

I hear it turning
But nothing burns

It goes on
It goes on

It goes on
It goes on

Out past the color
Out past the air

Something is moving
Something is there

No one is speaking
No one replies

Still it keeps turning
Behind my eyes

It goes on
It goes on

It goes on
It goes on

Closer

Closer

Closer

Closer

Round and around
Round and around

Round and around
Round and around

There was a signal
Before we came

There will be a signal
After our names

Nothing can hold it
Nothing can know

Still it is turning

Still it will go

It goes on

It goes on

It goes on

It goes on
Through the glass
Through the glass

Something moves
Something moves

Not a face
Not a name

Only light
In the frame

Pass through
Pass through

Pass through
Pass through

Don't look back

Don't look back

Every line
Bends again

Every door
Has no end

Move inside
Move between

What is real
What is seen

Pass through
Pass through

Pass through
Pass through

Further

Further

Further

Further

Through the glass
Through the glass

Through the glass
Through the glass
No walls
No doors

No end
No floor

Turn slow
Turn slow

I came in

I never arrived

Still inside

Still inside
I heard my footsteps
After I had gone

I heard the doorway
Closing with no one

Every sound followed
Every shape replied

Always seven seconds

Seven seconds behind

Behind

Behind

Behind
The engine sleeps upright
Under a painted sky

No wheel is turning
Still we are passing by

Keep your hands open
Let every number fall

Something beneath us
Is carrying us all

I felt the room lean
I watched the shadows climb

Nothing was moving
Except the shape of time

No one was calling
No one was standing near

Still through the silence
Something was drawing us here

Turn without turning
Move without leaving

Wake without waking
Breathe without breathing

Turn without turning
Move without leaving
Everyone became transparent
Somewhere after half past three
I could see the chairs behind them
I could see straight through the street

Cars went rolling through their bodies
Birds flew through the people too
No one seemed to find it strange there
No one noticed I could view

I can see through everyone
I can see through everyone

All the colors running through them
All the places they have gone

I can see through everyone
I can see through everyone

Mrs. Carter crossed the crossing
With the houses in her chest
Someone laughed behind a window
But the window had no glass

Every stranger held a hallway
Every face contained a room
There were stairways in their fingers
There were gardens in their shoes

I can see through everyone
I can see through everyone

All the colors running through them
All the places they have gone

I can see through everyone
I can see through everyone

Then somebody looked straight at me
And I knew what they could see

Every word I never answered
Every place I meant to be

Every door I closed behind me
Every name I tried to lose

All of it was hanging in me
Like a coat I couldn't choose

Evening came without a warning
And the walls grew solid first
Then the tables, then the people
Then the pavement and the birds

Soon the whole world looked familiar
Every surface back in place
But the woman by the station
Still had daylight through her face

I can see through everyone
I can see through everyone

Maybe only for a moment
Maybe it was never gone

I can see through everyone
I can see through everyone

Through everyone
Through everyone

Through everyone
Through everyone
Do not ask the river
Where the water goes

Do not ask the doorway
What the darkness knows

It knows

It knows

There are seven windows
Behind the morning sun

Six of them are empty
One contains everyone

Everyone

Everyone

When the red bird circles
Do not speak your name

When the white room opens
Do not enter twice the same

Not the same

Not the same

You will hear a footstep
Before the foot arrives

You will see a shadow
That has never been alive

You will find a mirror
Facing through the wall

If it shows you nothing

You have seen it all

Seen it all

Seen it all

The first door is silence
The second door is sound

The third door has no handle
The fourth is underground

The fifth door is breathing
The sixth door knows your face

The seventh door is open

But it does not lead to a place

No place

No place

When the engine stops

Do not move

When the voices stop

Do not listen

When the light goes out

Look behind you

You were not brought here

You were remembered

Remembered

Remembered

Remembered

Una señal inexplicable se filtra bajo la realidad cotidiana. Siete piezas de psicodelia hipnótica atraviesan cristal, habitaciones imposibles, tiempo desplazado y cuerpos transparentes antes de que hable un oráculo sin boca.

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