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À propos de cet album
The Forest Where Nothing Stays est un album-concept de rock psychédélique en dix titres, présenté comme une transmission de 1968. Il débute par un instant de curiosité, puis se dissout progressivement dans un monde où le temps se relâche, l’espace se replie et les formes familières refusent de rester fixes.
La palette documentée de l’album réunit guitares tremolo et fuzz, orgues Hammond et Farfisa, piano électrique, vibraphone, clavecin, basse analogique, percussions à main et batterie retenue. Écho à bande, réverbération à ressorts, phasing et saturation chaleureuse relient ses scènes changeantes en un voyage continu.
Chaque titre possède sa propre identité musicale : urgence menée par la guitare, tension portée par l’orgue, rituel guidé par les mailloches, expérience sur bande, voix superposées, jeu bancal et retour en forme d’hymne. Des images récurrentes de saveur, de temps, de portes, de voix et de regards relient la séquence, avant que les dernières paroles ne reviennent à l’image d’ouverture.
Année d’archive : 1968 · Publié :
Liste des titres
- 1The First Sip of Something Strange3:54
- 2Down Where the Clocks Don’t Follow5:19
- 3The Corridor With Too Many Doors2:43
- 4A Smile Without a Face4:15
- 5The Forest That Watches Back3:10
- 6Tea for Those Who Never Leave Instrumental3:03
- 7Her Voice in Every Direction3:45
- 8The Game With No Winning Move2:58
- 9Folding Back Into Yesterday3:50
- 10The Taste That Never Left4:09
Déroulement du concept
1. The First Sip of Something Strange: Une saveur étrange bouleverse tout.
2. Down Where the Clocks Don’t Follow: Le temps s’effondre pendant la chute.
3. The Corridor With Too Many Doors: Des portes sans fin n’offrent aucun chemin évident.
4. A Smile Without a Face: Une présence ne se révèle jamais complètement.
5. The Forest That Watches Back: La forêt observe en silence.
6. Tea for Those Who Never Leave: Une réunion se répète sans fin.
7. Her Voice in Every Direction: Une voix surgit de toutes les directions.
8. The Game With No Winning Move: Le jeu n’offre ni règle claire ni coup gagnant.
9. Folding Back Into Yesterday: La réalité se recompose sous une forme déformée.
10. The Taste That Never Left: Le monde revient, mais quelque chose demeure.
Paroles originales en anglais
There was a silver bowl of daylight Resting where the shadows bloom And the air began to shimmer Like a curtain in the room A quiet taste of golden weather Drifted in without a name Then the walls forgot their edges And the ceiling felt the same Something turning in the corner Something glowing through the haze And the colors started breathing While the distance slipped away Every shape began to soften Like the morning in the rain I heard a glass sing in the darkness Saw the floor begin to rise And the moonlight in the window Wore a pair of borrowed eyes There was no door, but I went through it There was no road, but I arrived All the echoes moved in circles Like they’d always been alive I left the silver bowl behind me But it followed me somehow And the room kept gently changing Even after I was out
I stepped where there was no direction Still the ground gave way beneath Every second stretched like silence Every breath forgot to leave There were numbers in the distance But they drifted out of line All the hours lost their meaning Every moment felt like mine Something pulling without motion Something calling without sound Down where the clocks don’t follow Nothing moves the way it should Every tick becomes a whisper Lost inside the drifting wood I saw shadows falling sideways Watched the sky begin to bend All the edges turned to questions With no start and with no end I was falling without moving I was moving standing still All the space around me folded Like it always had the will
Foot on the threshold Light splits in two One of them opens None of them you Open it, close it Open it more Every direction Turns to a door Knocking from nowhere Handles that breathe Rooms made of distance Nothing to leave Open it, close it Open it more Every direction Turns to a door I run through the hallway It runs through me Each time I choose one It splits into three
There was a shape in the corner Not a shape… Something that remembered being one Smile without a face Smile without a face It leans It waits It knows the space The walls breathe in The walls breathe out No one speaks But something shouts You’re not looking at it It’s looking at you Smile without a face Watching every place Closer Closer Not by steps Turn around Turn around Turn around (not that way) Every shadow bends toward me Every silence has a sound Every thought I try to leave Is already all around You’ve been here longer than you think Smile without a face Never leaves a trace Still it takes your place It stays It stays It stays…
It sees without eyes It hears without ears Step in the shade The shade steps back Leaves like mirrors Turning slow Paths that double Where you go Name the color It names you Every branch remembers Every root decides Footfalls counting Not your own Breath returns With a different tone Watch the watcher Mark the mark Light grows louder In the dark Turn once Turn twice The path learns you It sees without eyes It speaks in your voice Steps keep time Time keeps none The forest listens You become one
Instrumental — sans paroles.
I heard it once But not from where I stood (Behind you) (Inside you) Every word arrived too early Every echo came too late I was speaking in a circle Something else would translate Say it again Say it again Say it— No sound Only shape Only movement in the air It was closer when I turned away Further when I stayed Each direction held a version Of the sentence never said (Here) (There) (Everywhere) Her voice in every direction No center, no reflection Her voice in every direction Calling without intention Answer it Ignore it It answers you the same Don’t turn around Don’t turn around (turn around) I followed just to lose it I lost it just to hear It spoke before I knew it It stayed when I was clear (Here) (There) (Not there) You never heard it start
Rules were written After the move Turn taken Not by you Step to the left It changes the floor Step to the right It asks for one more You play the piece It plays you back Move it forward Move it through Every choice Undoes you Win the circle Lose the line Hands rearranging Without a plan Every direction Moves where it can No board No space No final place You almost had it Move it forward Move it through Every answer Splits in two One last move—
The lines came back in pieces But none of them aligned I followed every echo It led me out of time It starts to turn It starts to burn Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again The shapes return with meaning Then change before they stay I speak in older answers They answer in a way It climbs inside the moment It names me as I move Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again I saw tomorrow breaking Inside a borrowed past The mirror kept on turning Until it faced me last Again Again Again it comes around Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again Again.
There was a room I recognized Though I had never seen the door The light was sitting where it used to be But it felt different than before Still there Still the same I took a breath to leave it all It followed somewhere in between A quiet taste I couldn’t place Still moving through what I had seen The taste that never left The sound that never stayed It lives in every moment now It waits inside the day I set the glass beside the light It looked the way it always did But something underneath the surface Knew exactly what it hid It stayed It stayed The taste that never left It never had to stay It moves through every version Of what I call today There was a silver bowl of daylight Resting where the shadows bloom And the air began to shimmer
Explorer cet album
Recommandé si vous aimez
- Le rock psychédélique de la fin des années 1960
- Les guitares fuzz et tremolo
- Les orgues Hammond et Farfisa
- Les expérimentations sur bande analogique
- Les albums-concepts surréalistes
- Les écoutes immersives au casque
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