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Über dieses Album
The Forest Where Nothing Stays ist ein Psychedelic-Rock-Konzeptalbum mit zehn Titeln, präsentiert als Übertragung aus dem Jahr 1968. Es beginnt mit einem Moment der Neugier und löst sich allmählich in eine Welt auf, in der die Zeit sich lockert, der Raum sich faltet und vertraute Formen sich weigern, fest zu bleiben.
Die dokumentierte Klangpalette des Albums umfasst Tremolo- und Fuzzgitarre, Hammond- und Farfisa-Orgel, E-Piano, Vibraphon, Cembalo, Analogbass, Handperkussion und zurückhaltendes Schlagzeug. Bandecho, Federhall, Phasing und warme Sättigung verbinden die wechselnden Szenen zu einer durchgehenden Reise.
Jeder Titel besitzt eine eigene musikalische Identität: gitarrengeführte Dringlichkeit, orgelgetriebene Spannung, ein von Schlägelinstrumenten getragenes Ritual, ein Bandexperiment, geschichtete Stimmen, ein aus dem Takt geratenes Spiel und eine hymnische Rückkehr. Wiederkehrende Bilder von Geschmack, Zeit, Türen, Stimmen und Beobachtung verbinden die Folge, bevor der abschließende Text zum Eröffnungsbild zurückkehrt.
Archivjahr: 1968 · Veröffentlicht:
Titelliste
- 1The First Sip of Something Strange3:54
- 2Down Where the Clocks Don’t Follow5:19
- 3The Corridor With Too Many Doors2:43
- 4A Smile Without a Face4:15
- 5The Forest That Watches Back3:10
- 6Tea for Those Who Never Leave Instrumental3:03
- 7Her Voice in Every Direction3:45
- 8The Game With No Winning Move2:58
- 9Folding Back Into Yesterday3:50
- 10The Taste That Never Left4:09
Konzeptverlauf
1. The First Sip of Something Strange: Ein rätselhafter Geschmack verschiebt alles.
2. Down Where the Clocks Don’t Follow: Während des Falls bricht die Zeit zusammen.
3. The Corridor With Too Many Doors: Endlose Türen bieten keinen eindeutigen Weg.
4. A Smile Without a Face: Eine Präsenz erscheint niemals vollständig.
5. The Forest That Watches Back: Der Wald beobachtet schweigend.
6. Tea for Those Who Never Leave: Eine Zusammenkunft wiederholt sich ohne Ende.
7. Her Voice in Every Direction: Eine Stimme kommt aus jeder Richtung.
8. The Game With No Winning Move: Das Spiel bietet weder klare Regeln noch einen Gewinnzug.
9. Folding Back Into Yesterday: Die Wirklichkeit formt sich verzerrt neu.
10. The Taste That Never Left: Die Welt kehrt zurück, doch etwas bleibt.
Songtexte
There was a silver bowl of daylight Resting where the shadows bloom And the air began to shimmer Like a curtain in the room A quiet taste of golden weather Drifted in without a name Then the walls forgot their edges And the ceiling felt the same Something turning in the corner Something glowing through the haze And the colors started breathing While the distance slipped away Every shape began to soften Like the morning in the rain I heard a glass sing in the darkness Saw the floor begin to rise And the moonlight in the window Wore a pair of borrowed eyes There was no door, but I went through it There was no road, but I arrived All the echoes moved in circles Like they’d always been alive I left the silver bowl behind me But it followed me somehow And the room kept gently changing Even after I was out
I stepped where there was no direction Still the ground gave way beneath Every second stretched like silence Every breath forgot to leave There were numbers in the distance But they drifted out of line All the hours lost their meaning Every moment felt like mine Something pulling without motion Something calling without sound Down where the clocks don’t follow Nothing moves the way it should Every tick becomes a whisper Lost inside the drifting wood I saw shadows falling sideways Watched the sky begin to bend All the edges turned to questions With no start and with no end I was falling without moving I was moving standing still All the space around me folded Like it always had the will
Foot on the threshold Light splits in two One of them opens None of them you Open it, close it Open it more Every direction Turns to a door Knocking from nowhere Handles that breathe Rooms made of distance Nothing to leave Open it, close it Open it more Every direction Turns to a door I run through the hallway It runs through me Each time I choose one It splits into three
There was a shape in the corner Not a shape… Something that remembered being one Smile without a face Smile without a face It leans It waits It knows the space The walls breathe in The walls breathe out No one speaks But something shouts You’re not looking at it It’s looking at you Smile without a face Watching every place Closer Closer Not by steps Turn around Turn around Turn around (not that way) Every shadow bends toward me Every silence has a sound Every thought I try to leave Is already all around You’ve been here longer than you think Smile without a face Never leaves a trace Still it takes your place It stays It stays It stays…
It sees without eyes It hears without ears Step in the shade The shade steps back Leaves like mirrors Turning slow Paths that double Where you go Name the color It names you Every branch remembers Every root decides Footfalls counting Not your own Breath returns With a different tone Watch the watcher Mark the mark Light grows louder In the dark Turn once Turn twice The path learns you It sees without eyes It speaks in your voice Steps keep time Time keeps none The forest listens You become one
Instrumental — kein Liedtext.
I heard it once But not from where I stood (Behind you) (Inside you) Every word arrived too early Every echo came too late I was speaking in a circle Something else would translate Say it again Say it again Say it— No sound Only shape Only movement in the air It was closer when I turned away Further when I stayed Each direction held a version Of the sentence never said (Here) (There) (Everywhere) Her voice in every direction No center, no reflection Her voice in every direction Calling without intention Answer it Ignore it It answers you the same Don’t turn around Don’t turn around (turn around) I followed just to lose it I lost it just to hear It spoke before I knew it It stayed when I was clear (Here) (There) (Not there) You never heard it start
Rules were written After the move Turn taken Not by you Step to the left It changes the floor Step to the right It asks for one more You play the piece It plays you back Move it forward Move it through Every choice Undoes you Win the circle Lose the line Hands rearranging Without a plan Every direction Moves where it can No board No space No final place You almost had it Move it forward Move it through Every answer Splits in two One last move—
The lines came back in pieces But none of them aligned I followed every echo It led me out of time It starts to turn It starts to burn Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again The shapes return with meaning Then change before they stay I speak in older answers They answer in a way It climbs inside the moment It names me as I move Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again I saw tomorrow breaking Inside a borrowed past The mirror kept on turning Until it faced me last Again Again Again it comes around Folding back into yesterday Every road learns how to bend Folding back into yesterday Where the ending starts again Again.
There was a room I recognized Though I had never seen the door The light was sitting where it used to be But it felt different than before Still there Still the same I took a breath to leave it all It followed somewhere in between A quiet taste I couldn’t place Still moving through what I had seen The taste that never left The sound that never stayed It lives in every moment now It waits inside the day I set the glass beside the light It looked the way it always did But something underneath the surface Knew exactly what it hid It stayed It stayed The taste that never left It never had to stay It moves through every version Of what I call today There was a silver bowl of daylight Resting where the shadows bloom And the air began to shimmer
Dieses Album erkunden
Empfohlen, wenn Sie Folgendes mögen
- Psychedelic Rock der späten 1960er
- Fuzz- und Tremologitarre
- Hammond- und Farfisa-Orgel
- Analoge Bandexperimente
- Surreale Konzeptalben
- Immersives Hören mit Kopfhörern
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