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A later view over the Weser landscape at Vlotho
Festivals & Live Culture

Umsonst & Draußen 1975–1979: Free Music as a German Principle

In East Westphalia, 'free and outdoors' became more than a ticket policy: it became a durable phrase for non-commercial festival culture and a German answer to the commercialisation of rock.

1975–1979 guide scopeVlotho / Porta Westfalica regionFree Festival Series
BangertNo · Wikimedia Commons · CC BY 3.0 · Converted to WebP and resized; no generative or compositional alterations.

Edition timeline

  1. The phrase 'Umsonst und draußen' became a recognised German term for free-admission open-air festivals during the 1970s.

    The phrase 'Umsonst und draußen' became a recognised German term for free-admission open-air festivals during the 1970s.

  2. Historical summaries trace the phrase to a 1970 event in Bünde and note its reuse at Vlotho in 1975.

    Historical summaries trace the phrase to a 1970 event in Bünde and note its reuse at Vlotho in 1975.

  3. The Vlotho/Porta Westfalica free-festival tradition belongs to a wider German movement that also included later events such as Stemweder Open Air and Wutzrock.

    The Vlotho/Porta Westfalica free-festival tradition belongs to a wider German movement that also included later events such as Stemweder Open Air and Wutzrock.

  4. The cultural argument centred on access, self-organisation and resistance to the commercialisation of rock culture.

    The cultural argument centred on access, self-organisation and resistance to the commercialisation of rock culture.

Why this event matters

The words themselves are part of the history. 'Umsonst & Draußen' became a portable cultural slogan, turning a practical description into a political programme for how rock should circulate. The phrase 'Umsonst und draußen' became a recognised German term for free-admission open-air festivals during the 1970s.

The Weser meadows at Vlotho
The Weser meadows at Vlotho in a later photograph, clearly presented as site context for the free-festival story. Grugerio · Wikimedia Commons · CC BY-SA 3.0 · Converted to WebP and resized; no generative or compositional alterations.

Place, site and audience

Historical summaries trace the phrase to a 1970 event in Bünde and note its reuse at Vlotho in 1975. The Vlotho/Porta Westfalica free-festival tradition belongs to a wider German movement that also included later events such as Stemweder Open Air and Wutzrock.

What the audience experienced

The cultural argument centred on access, self-organisation and resistance to the commercialisation of rock culture. Temporary sound, power, stage access and changeovers determined how the advertised programme became a live event.

A map of the protected Weser meadows at Vlotho
A map of the protected Weser meadows at Vlotho, used to orient the reader geographically. Own work · Wikimedia Commons · CC0 · Converted to WebP and resized; no generative or compositional alterations.

Problems, conflict and practical limits

This guide needs stronger local Vlotho/Porta archives for precise year-by-year lineups and locations. This guide needs stronger local Vlotho/Porta archives for precise year-by-year lineups and locations.

Members of Bröselmaschine
Members of Bröselmaschine, used as performer context for the German free-festival network and not as a Vlotho stage photograph. Rumpelwicht · Wikimedia Commons · Public domain · Converted to WebP and resized; no generative or compositional alterations.
Bröselmaschine at a later performance
Bröselmaschine at a much later performance, explicitly labelled as artist context rather than 1970s event documentation. Frank Schwichtenberg · Wikimedia Commons · CC BY-SA 4.0 · Converted to WebP and resized; no generative or compositional alterations.
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Sources and further reading

  1. General history – Umsonst und draußenEditorial source spine · accessed 23 July 2026
Image credits5 licensed images
Weser River near town of Vlotho , District of Herford , North Rhine-Westphalia , Germany .
A later view over the Weser landscape at Vlotho, used as regional site context and not as a festival photograph — BangertNo — Wikimedia Commons — CC BY 3.0 · source record · CC BY 3.0
Converted to WebP and resized; no generative or compositional alterations.
NSG Vlothoer Weserwiesen
The Weser meadows at Vlotho in a later photograph, clearly presented as site context for the free-festival story — Grugerio — Wikimedia Commons — CC BY-SA 3.0 · source record · CC BY-SA 3.0
Converted to WebP and resized; no generative or compositional alterations.
Vlotho - Nature reserve Vlothoer Weserwiesen - overview map Number and borders of nature reserves are subject to frequent change. In order to facilitate reproduction of this map from openstreetmap, the following data is stored here: export boundaries: north: 52.17; west: 8.868; east: 8.89; south: 52.16, mapnik svg, scale 1:10.000 nature reserve boundary stroke weight 10.0; nature reserve stroke color: R 5, G 102, B 36; municipality border stroke weight: as found
A map of the protected Weser meadows at Vlotho, used to orient the reader geographically — Own work — Wikimedia Commons — CC0 · source record · CC0
Converted to WebP and resized; no generative or compositional alterations.
Manfred von Bohr beim Burg Herzberg-Festival 2006 mit seiner Band Bröselmaschine
Members of Bröselmaschine, used as performer context for the German free-festival network and not as a Vlotho stage photograph — Rumpelwicht — Wikimedia Commons — Public domain · source record · Public domain
Converted to WebP and resized; no generative or compositional alterations.
Bröselmaschine beim Werner Rennen 2018
Bröselmaschine at a much later performance, explicitly labelled as artist context rather than 1970s event documentation — Frank Schwichtenberg — Wikimedia Commons — CC BY-SA 4.0 · source record · CC BY-SA 4.0
Converted to WebP and resized; no generative or compositional alterations.

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